As she leaves the big top for The Hunger Games. Pippin will win this year’s Best Revival Tony, with a win for Martin also in the bag. Patina Miller will say goodbye to the Pippin circus on March 30, when she completes her Tony-winning run as the Leading Player. Storytelling, singing, dancing, stunt work and acting are all at a premium. Erik Altemus is a bold and spunky Lewis, with the lead cast rounded out by a well judged comic performance by Rachel Bay Jones as Catherine.Īs a visual feast, the production really cannot be faulted. She is currently starring as the Leading Player in the 2013 revival of Pippin for which she won the Tony Award for Best. Miller is best known for originating the role of disco diva wannabe Deloris Van Cartier in the 2009 West End and 2011 Broadway productions of Sister Act. Martin’s big number “No Time At All” is the biggest crowd pleaser of the night, earning a well deserved mid-show standing ovation.įurther luxury casting comes from the devilishly twinkling Terrence Mann as Charles and star dancer Charlotte d’Amboise as Fastrada. Patina Renea Miller is an American actress and singer. Like Miller, Thomas makes an impressive showing in the trapeze, although the absolute winner here is the incredible Andrea Martin as Berthe. Open and expressive, likable and vulnerable, Thomas quickly endears himself to the audience and holds their affection all evening. Miller makes the potentially nondescript role a clear character, sings with strength and dances up a storm, particularly in the famous Manson Trio and “Glory.” Miller starred as the Leading Player in the Broadway revival of Stephen Schwartzs famous 1972 musical, 'Pippin'. Clad in skimpy black lycra, Miller is intense and commanding as the Leading Player, running the show with an increasingly unhinged balance of joy and menace. Who knew that under her Sister Act habit Patina Miller was hiding such an amazingly sexy body. Choreographer Chet Walker successfully channels Bob Fosse, creating constant varied dance and movement infused with lashings of delicious wit. Focus is incredibly tight, with bodies, props, stunt equipment, set pieces and more flying at high speed in multiple directions.
#PATINA MILLER IN PIPPIN FULL#
The full company are supremely fit and athletic, their lithe, acrobatic bodies adding a sexual charge to proceedings.
#PATINA MILLER IN PIPPIN UPDATE#
Stephen Scwartz’s classic score holds up extremely well, with just minor tweaks made to update Roger O. Circus creation is credited to Gypsy Snider of Les 7 Doigts de la main.
The numbers are each given distinct treatments, but having them all under the big top maintains a unified approach as compared to have a range of disparate concepts for each song. The vision of the show as being performed by a troupe of players is expanded to have then as circus acrobats, a conceit that is fully realised not just because of the sensational ensemble but also thanks to the game and highly talented lead cast, several of whom undertake eye-popping stunts. As with Hair, Paulus has taken a concept show and actually made its storyline pulse and flow with energy and drive. For the complete cast and creative team, visit /Pippin.With the admission that I generally dislike Pippin, and do not even get me started on circus themes, this production is an absolute joy!ĭisplaying the same, or perhaps even greater flair and imagination as she did with 2009’s Tony-winning Hair, director Diane Paulus has made Pippin likable, relevant, exciting and even, believe it or not, logical.
with stage management by Julie Baldauff and Stephen R. The revival featured circus creation by Gypsy Snider, choreography in the style of Bob Fosse by Chet Walker, scenic design by Scott Pask, costume design by Dominique Lemieux, lighting design by Kenneth Posner, sound design by Jonathan and Garth Helm, illusions by Paul Kieve, fire effects by Chic Silber, and flying effects by ZFX, Inc. Rounding out the company were Gregory Aresenal, Lolita Costet, Colin Cunliffe, Andrew Fitch, Orion Griffiths, Viktoria Grimmy, Olga Karmansky, Bethany Moore, Stephanie Pope, Philip Rosenberg, Yannick Thomas, Molly Tynes, and Anthony Wayne with Sabrina Harper and Brad Musgrove as swings. Miller starred as the Leading Player alongside Matthew James Thomas as Pippin, Terrence Mann as Charles, Charlotte d’Amboise as Fastrada, Rachel Bay Jones as Catherine, Andrea Martin as Berthe, Andrew Cekala and Ashton Woerz as Theo, and Erik Altemus as Lewis. Hirson, Pippin tells the story of the young son of the medieval French ruler Charlemange, who is encouraged by a flashy troupe of strolling players to try his hand at war, love, and other joys before settling down. With music and lyrics by Stephen Schwartz and a book by Roger O. The Very Best of Broadway Bares 2011–2014
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